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I Lived In Trees + Leaves EP

by Mark Fry/The A. Lords

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  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    Purchasable with gift card

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  • 'I Lived In Trees' 12" vinyl album - LAST FEW COPIES
    Record/Vinyl + Digital Album

    Last few vinyl copies of Mark Fry's third studio album, 'I Lived In Trees,' a collaboration with The A.Lords - Michael Tanner of Plinth and Nick Palmer of Directorsound. Beautifully designed by Iker Spozio. Reverse board outer sleeve, printed inner bag; 180gm black vinyl. Comes with free 3" CDEP, 'Leaves - Fragments From Normandy and England 2010 - 2011.' Note : this item is not shrinkwrapped.

    Includes unlimited streaming of I Lived In Trees + Leaves EP via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

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  • 'I Lived In Trees' CD album + digital EP, 'Leaves - Fragments From Normandy and England 2010 - 2011'
    Compact Disc (CD) + Digital Album

    6 panel, reverse board, fold-out concertina packaging, beautifully designed by Iker Spozio. Comes with bonus digital (only) EP, 'Leaves - Fragments From Normandy and England, 2010 - 2011.'

    EU CUSTOMERS : : As of July 2021, all VAT is paid through Bandcamp in advance. You will see the VAT added to the total of your order when you checkout.

    In order to offset this VAT cost, we have reduced all retail prices accordingly so that the cost to you should be roughly the same as it always was.

    Your mailing label contains an ‘IOSS’ icon, showing that all VAT has been paid and thus, you should not be charged again when your parcel is delivered. This should allow smooth and easy delivery of your records through customs, without any surprise import and admin fees.

    Also : fuck Brexit.

    Includes unlimited streaming of I Lived In Trees + Leaves EP via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ... more

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Chalky Down 04:26
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All Day Long 08:53
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La Lune 00:59
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Taking Wing 04:45
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about

Released by RCA Italy with little fanfare in 1972, Mark Fry’s Dreaming With Alice is one of those very particular albums whose potency and poetry seem to owe everything to their era but whose virtues only gain traction, and with it coach-loads of interested parties, many years, if not the odd epoch, after their conception. Effectively a late-period psych-folk obscurity that became a record connoisseur’s Holy Grail once all things vaguely Incredible String Band-shaped became once again à la mode in the middle of the last decade, Dreaming With Alice, frequently bootlegged and described by Dream magazine as “one of those albums that feels like a secret you can’t wait to share”, had finally found its time and place.

All of which came as something of a surprise to the mature Mark Fry, by then long domiciled with wife Roxy and pug dog Missy in rural Normandy. He had recorded the suddenly-venerated album on the hoof as an itinerant, felt-hat-disporting, teenage art student during an idyllically hazy-sounding sojourn in Italy, several lifetimes ago. Subsequently devoting himself to painting (although intrepid travels, from Newfoundland to Timbuktu, also kept him busy), Mark, the son of an artist and the scion of Roger Fry, of Bloomsbury Set fame, was happily astonished to finds himself a belated cult music attraction and was soon pressed into reissuing his dimly recalled juvenilia to sate the long-deferred demand.

Duly inspired, Mark began to re-explore his songwriting (and new-fangled digital home recording), releasing Alice’s follow-up, Shooting The Moon, in 2008, a mere 36 years after its predecessor, and even dipping an assured toe in live performance. Subsequently hooking up, courtesy of the internet, with acclaimed Wessex exponents of all things musically arcane, The A. Lords (aka Mike Tanner and Nick Palmer, also sometimes known as Plinth and Directorsound, among innumerable other recording aliases) for shows and recording, Mark had stumbled upon like minds from a different generation, equipped with a splendidly esoteric instrumental arsenal and a shared predilection for the timelessly bucolic and the eccentrically English.

Working sporadically yet inexorably over much of the next three years, they would carefully hone the tracks that would become I Lived In Trees, Mark’s forthcoming opus, set for release by Second Language at the close of the summer. Recorded in Normandy, Dorset and Oxfordshire, it’s a chamber-folk album of instant, copasetic allure, hallmarked by Mark’s painterly take on existence and memory; its often affecting lyrics, rich in nature metaphors, etched with nostalgia or set in poignant dreamscapes, all leant clarity and an almost Zen-like stillness by the A. Lords. An exploration of landscape, at once external and internal, brimming with tunes that billow in like seeds on a breeze only to linger like hardy perennials, I Lived In Trees is the work of many hands, with subtle string arrangements by Steve Bentley-Klein and adroit mixing by Lemon Jelly’s Nick Franglen.

It’s taken a while, but it’s surely been worth it; and unlike Dreaming With Alice, this one won’t need a time machine to find its target audience.

'I Lived In Trees' comes as a CD album in luxurious 8 panel concertina sleeve designed by renowned Italian illustrator, Iker Spozio whose previous work includes artwork for Colleen, Delia Derbyshire, Hauschka and Tex La Homa.
www.ikerspozio.net

credits

released May 7, 2020

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Mark Fry Normandy, France

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